"Culture and Customs of Russia" is a splendid introduction to the largest country in the world. This timely volume gives the scope of the country from earliest history through the breakup of the Soviet Union to the present day. Students and a general audience will learn about the land, history, thought and religion, social customs, marriage and family, education, cuisine, fashion, literature, media, film, the arts, and architecture. The authoritative breadth of coverage, accessibility, and engaging writing style are truly outstanding. "Culture and Customs of Russia" encompasses the grand achievements of Russian society and the everyday life and traditions of average citizens. A Land, People, and History chapter surveys the geography and Russian population and succinctly chronicles the long, fascinating Russian saga, peopled with imposing figures such as Ivan the Terrible, Catherine the Great, and Joseph Stalin. The Thought and Religion discussion is highly informative as it traces the role of and attitudes toward religion through the centuries. Russian proverbs and superstitions are also included. The current state of marriage, gender roles, children, and education is surveyed next. Holidays and leisure activities, the famous Russian cuisine, and fashion, both traditional and contemporary, are charmingly evoked. The literature chapter illuminates not only the classic writers such as Leo Tolstoy but modern authors and poets such as Anna Akhmatova plus popular fiction and fairy tales. The Media and Cinema chapter brings more of the Russian contemporary popular culture to life. A chapter on Russian performing arts reflects the golden age of Russian music with composers such as Tchaikovsky, and also examines folk instruments and pop and rock, the famous Russian ballet scene, and the equally esteemed drama and theater. The art chapter includes icons, painting, folk art and decorative arts such as needle crafts and wood toys. The final chapter on architecture describes homes, churches, and public buildings. A glossary, timeline, and numerous photos enhance the text. This volume provides a vast amount of information that is up to date as well as accessible.
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Recounts three decades of Hip Hop’s evolution, highlighting its defining events, recordings, personalities, movements, and ideas, as well as society’s response. This book provides information and insights for students, educators, and those interested in the ways pop culture reflects and shapes our lives.
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What do you believe? This title examines the popular knowledges that saturate our everyday experience. How valid is it when compared to official knowledge and why does such (mis)information cause so much institutional anxiety? It examines the range of knowledge, from conspiracy theory to plain gossip, and its role and impact in our culture.
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Alan Moore’s Watchmen is set in 1985 and chronicles the alternative history of the United States where the US edges dangerously closer to nuclear war with the Soviet Union. Within this world exists a group of crime busters, who don elaborate costumes to conceal their identity and fight crime, and an intricate plot to kill and discredit these “superheroes.”

Alan Moore’s Watchmen popularized the graphic novel format, has been named one of Time magazine’s top 100 novels, and is now being made into a highly anticipated movie adaptation. This latest book in the popular Blackwell Philosophy and Pop Culture series peers into Moore’s deeply philosophical work to parse and deconstruct the ethical issues raised by Watchmen’s costumed adventurers, their actions, and their world. From nuclear destruction to utopia, from governmental authority to human morality and social responsibility, it answers questions fans have had for years about Watchmen’s ethical quandaries, themes, and characters.

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Contemporary popular culture, from books to film to television to music to the deepest corners of the internet, has provoked a great deal of criticism, some of it well deserved. Yet for many Americans, and particularly for younger Americans, popular culture is culture. It is the only kind of cultural experience they seek and the currency in which they trade.

In Acculturated, twenty-three thinkers examine the rituals, the myths, the tropes, the peculiar habits, practices, and neuroses of our modern era. Every culture finds a way for people to tell stories about ourselves. We rely on these stories to teach us why we do the things we do, to test the limits of our experience, to reaffirm deeply felt truths about human nature, and to teach younger generations about vice and virtue, honor and shame, and a great deal more. A phenomenon like the current crop of reality television shows, for example, with their bevy of “real” housewives, super-size families, and toddler beauty-pageant candidates, seems an unlikely place to find truths about human nature or examples of virtue. And yet on these shows, and in much else of what passes for popular culture these days, a surprising theme emerges: Move beyond the visual excess and hyperbole, and you will find the makings of classic morality tales.

As the title suggests, readers will find in these pages “A Culture Rated.” This lively roundtable of “raters” includes not only renowned cultural critics like Caitlin Flannigan and Chuck Colson, but also celebrated culture creators like the producers of the hit ABC comedy Modern Family and the hostess of TLC’s What Not to Wear. Editors Christine Rosen and Naomi Schaefer Riley have tasked these contributors–both the critics and the insiders–with taking a step or two back from the unceasing din of popular culture so that they might better judge its value and its values and help readers think more deeply about the meaning of the narratives with which they are bombarded every waking minute. In doing so, the editors hope to foster a wide-reaching public conversation–one that will help all of us to think more clearly about our culture.

Contributors include: Judy Bachrach, Megan Basham, Mark Bauerlein, Pia Catton, Chuck Colson, Paul Corrigan, Caitlin Flanagan, Meghan Cox Gurdon, Margo Howard, Kay S. Hymowitz, Jonathan V. Last, Herb London, Stacy London, Rob Long, Megan McArdle, Wilfred M. McClay, Caitrin Nicol, Joe Queenan, Emily Esfahani Smith, Brad Walsh, and Tony Woodlief.

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This is the first-ever biography of the legendary wrestler Gorgeous George, filled with incredible never-before-told stories. George directly influenced the likes of Muhammad Ali, who took his bragging and boasting from George; James Brown, who began to wear sequined capes onstage after seeing George on TV; John Waters, whose films featured the outrageous drag queen Divine as an homage to George; and too many wrestlers to count. Amid these pop culture discoveries are firsthand accounts of the pro wrestling game from the 1930s to the 1960s.

The ideal American male used to be stoic, quiet, and dignified. But for a young couple struggling to make ends meet, in the desperation born of the lingering Depression and wartime rationing, an idea was hatched that changed the face of American popular culture, an idea so bold, so over-the-top and absurd, that it was perfect. That idea transformed journeyman wrestler George Wagner from a dark-haired, clean-cut good guy to a peroxide-blond braggart who blatantly cheated every chance he got. Crowds were stunned—they had never seen anything like this before—and they came from miles around to witness it for themselves.

Suddenly George—guided by Betty, his pistol of a wife—was a draw. With his golden tresses grown long and styled in a marcel, George went from handsome to . . . well . . . gorgeous overnight, the small, dank wrestling venues giving way to major arenas. As if the hair wasn’t enough, his robes—unmanly things of silk, lace, and chiffon in pale pinks, sunny yellows, and rich mauves—were but a prelude to the act: the regal entrance, the tailcoat-clad valet spraying the mat with perfume, the haughty looks and sneers for the “peasants” who paid to watch this outrageously prissy hulk prance around the ring. How they loved to see his glorious mane mussed up by his manly opponents. And how they loved that alluringly alliterative name . . . Gorgeous George . . . the self-proclaimed Toast of the Coast, the Sensation of the Nation!

All this was timed to the arrival of that new invention everyone was talking about—television. In its early days, professional wrestling and its larger-than-life characters dominated prime-time broadcasts—none more so than Gorgeous George, who sold as many sets as Uncle Miltie.

Fans came in droves—to boo him, to stick him with hatpins, to ogle his gowns, and to rejoice in his comeuppance. He was the man they loved to hate, and his provocative, gender-bending act took him to the top of the entertainment world. America would never be the same again.

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Students’ backpacks bulge not just with oversize textbooks, but with paperbacks, graphic novels, street lit, and electronics such as iPods and handheld video games. This book is about unpacking those texts to explore previously unexamined assumptions regarding their usefulness to classroom learning. With a strong theoretical grounding and many practical examples, the authors speak to both skeptical instructors who favour traditional canonical literature and to technology enthusiasts who already use popular music or video in their classrooms. Each chapter includes teacher, administrator, media specialist, librarian, and student voices; classroom activities; adaptable lessons; and professional study-group questions.

Bring it to Class features: a researched rationale for using pop culture in middle school and secondary classrooms as well as school libraries and media centers; field-tested teaching approaches that will connect adolescents with school-based learning and motivate their literacy practices in and out of class; and an easy-to-use format that includes classroom vignettes, sample lessons, and a glossary of key terms.

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